Description : In this new study, Cristina Chimisso explores the work of the French Philosopher of Science, Gaston Bachelard (1884-1962) by situating it within French cultural life of the first half of the century. The book is introduced by a study - based on an analysis of portraits and literary representations - of how Bachelard's admirers transformed him into the mythical image of the Philosopher, the Patriarch and the 'Teacher of Happiness'. Such a projected image is contrasted with Bachelard's own conception of philosophy and his personal pedagogical and moral ideas. This pedagogical orientation is a major feature of Bachelard's texts, and one which deepens our understanding of the main philosophical arguments. The primary thesis of the book is based on the examination of the French educational system of the time and of French philosophy taught in schools and conceived by contemporary philosophers. This approach also helps to explain Bachelard's reception of psychoanalysis and his mastery of modern literature. Gaston Bachelard: Critic of Science and the Imagination thus allows for a new reading of Bachelard's body of work, whilst at the same time providing an insight into twentieth century French culture.
Description : In The Dialectic of Duration Gaston Bachelard addresses the nature of time in response to the writings of his great contemporary, Henri Bergson. For Bachelard, experienced time is irreducibly fractured and interrupted, as indeed are material events. At stake is an entire conception of the physical world, an entire approach to the philosophy of science. It was in this work that Bachelard first marshalled all the components of his visionary philosophy of science, with its steady insistence on the human context and subtle encompassing of the irrational within the rational.
Bachelard, Gaston. The Poetics of Space. New York: Orion Press, 1964.
Ludvigson, Susan. "Grace." Everything Winged Must Be Dreaming. Baton Rouge: Louisiana State University Press, 1993.
Kroodsma, Donald. The Singing Life of Birds: The Art and Science of Listening to Birdsong. New York: Houghton Mifflin, 2005.
Description : In an elegant translation, Mary McAllester Jones brings to English-speaking readers the writings of a singular French philosopher of science whose rich intellectual legacy is too little known. Gaston Bachelard, who died in 1962, left us twelve works on the philosophy of science, nine on the poetic imagination, and two on time and consciousness, written in an image-laden style that rejected traditional academic discourse in favor of a subversive, allusive, highly metaphorical way of thinking and writing. Gaston Bachelard, Subversive Humanist gives us a generous introduction to Bachelard's brilliant and idiosyncratic writings about the relation of science, poetry, and human consciousness. The extracts are framed in succinct critical essays that explicate the development of his ideas and clarify his relation to the contemporary French intellectual revolution more commonly associated with Michel Foucault and Jacques Derrida. The matrix of Bachelard's thought is twentieth-century science, the "new scientific mind" that he dates from 1905 and Einstein's special theory of relativity. Like the discovery of America five hundred years before, the discoveries of mathematics and physics today have undermined our familiar epistemologies. Modern science has forced us to revise our conception of the rational subject and of the relation between reason and reality, subject and object. A "psychic revolution" has accompanied this revolution in reason. If we try to grasp the dialectics of matter and energy in physics, or the dualism of waves and particles, we shall learn to maintain difference and handle complexity; we are shaken out of the reductive, identity-ridden habits of ordinary life and thought. As a writer of science, Bachelard deliberately aimed to rid us of the preconceptions that blind us to the facts, to science as it is now. The same wariness with regard to theory is present in his approach to poetry. For Bachelard, mathematical equation and poetic image alike break with everyday experience. Reading poetic images brings us "the experience of openness, of newness", says Bachelard. The reader "is called upon to continue the writer's images, he is aware of being in a state of open imagination." There is little place for abstract critical theory in Bachelard's view of Poetry. Gaston Bachelard, Subversive Humanist will interest literary scholars, philosophers, and intellectual historians.
The Poetics of Space Summary & Study Guide
Gaston Bachelard, trans. Maria Jolas(Boston: Beacon Press, 1994) 65. See also: Gaston Bachelard, (Paris: Presses Universitaires de France, 1970) 71.
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Gaston Bachelard's brief, incisive, suggestive, and sometimes incomplete analyses of Baudelaire illuminate the philosopher's preoccupation with writing as a cure for death anxiety and essential solitude. As both theoretician and literary...
Description : Repositions Bachelard as a critical and integral part of contemporary continental philosophy. Like Schelling before him and Deleuze and Guattari after him, Gaston Bachelard made major philosophical contributions to the advancement of science and the arts. In addition to being a mathematician and epistemologist whose influential work in the philosophy of science is still being absorbed, Bachelard was also one of the most innovative thinkers on poetic creativity and its ethical implications. His approaches to literature and the arts by way of elemental reverie awakened long-buried modes of thinking that have inspired literary critics, depth psychologists, poets, and artists alike. Bachelard’s extraordinary body of work, unduly neglected by the English-language reception of continental philosophy in recent decades, exhibits a capacity to speak to the full complexity and wider reaches of human thinking. The essays in this volume analyze Bachelard as a phenomenological thinker and situate his thought within the Western tradition. Considering his work alongside that of Schelling, Husserl, Bergson, Buber, Heidegger, Merleau-Ponty, Gadamer, Deleuze, and Nancy, this collection highlights some of Bachelard’s most provocative proposals on questions of ontology, hermeneutics, ethics, environmental politics, spirituality, and the possibilities they offer for productive transformations of self and world.
What are the motifs in The Poetics of Space by Gaston Bachelard?
Description : The famous French scientist-psychologist-literary critic provides a virtual bestiary for depth psychology and literary criticism in his study of Isidore Ducasse, known by the pen-name Lautreamont. Includes essays by James Hillman "Bachelard's Lautreamont, or Psychoanalysis without a Patient," and Robert Scott Dupree, "Bachelard as Literary Critic." Bachelard's only book devoted to a single author/poet. 152 pages, indexed. THE BACHELARD TRANSLATIONS are the inspiration of Joanne H. Stroud, Director of Publications for The Dallas Institute of Humanities and Culture, who in 1981 contracted with Jose Corti to publish in English the untranslated works of Bachelard on the imagination. Gaston Bachelard is acclaimed as one of the most significant modern French thinkers. From 1929 to 1962 he authored twenty-three books addressing his dual concerns, the philosophy of science and the analysis of the imagination of matter. The influence of his thought can be felt in all disciplines of the humanities - art, architecture, literature, language, poetics, philosophy, and depth psychology. His teaching career included posts at the College de Bar-sur-Aube, the University of Dijon, and from 1940 to 1962 the chair of history and philosophy of science at the Sorbonne. One of the amphitheaters of the Sorbonne is called "L'Amphi Gaston Bachelard," an honor Bachelard shared with Descartes and Richelieu. He received the Grand Prix National Lettres in 1961-one of only three philosophers ever to have achieved this honor. The influence of his thought can be felt in all disciplines of the humanities-art, architecture, literature, poetics, psychology, philosophy, and language."