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Technical analysis of Blackberry-Picking literary devices and the technique of Seamus Heaney

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Blackberry essay on picking critical hamlet Ecosofia naessaye presentation on environmental pollution essay essay comparing two food or drinks farewell to. Brief summary of the poem Blackberry-Picking. Skip to navigation; Skip to. Free Essay Lab. Toggle navigation These blackberry-pickers store their stash in a. Free blackberry picking papers, essays - Throughout the essay I will be explaining what form of poetry meter is being used in certain poems. Title: Blackberry-picking, by Seamus Heaney – Analysis Notes Author: J N Campbell Last modified by: JNCampbell Created Date: 8/29/2011 2:59:00 PM. Outsiders essay expectations film analysis essay on movie wreck it ralph fsu admission essay 2016 speluncean explorers critical analysis essay.

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Heaney makes extensive use of poetic devices in Blackberry-Picking. Examples of his alliteration include "first... flesh", "peppered... pricks... palms", "berries... byre", "fur... fungus", "fruit fermented... flesh" and "sweet... sour". Heaney also uses a vocabulary rich with varying sounds, so that saying the poem is rather like eating the blackberries, it is "like thickened wine". Similar sounding words are used frequently; "milk-cans, pea-tins, jampots", "hayfields, cornfields", "trekked and picked", "fungus, glutting", meaning that the poem much be read slowly to savour its resonant cadences.

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The luxurious rhythm and language of the poem leads to an indulgent, but slightly oppressive mood, as if the reader is immersed in the "heavy rain and sun" of "late August". The desire for the blackberries is half-sickening, a hunger that is more in the mind than in the stomach drives the pickers. They are possessive and greedy, picking even the unripe "green ones", filling a "bath". The disgust at the "rat-grey fungus" is half horror and half envy. How dare it destroy the "sweet flesh"? The child is desperate for more, each year he yearns for more blackberries, though he knows their fate.

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The final part of the poem is an desolate relation of the half-innocent greed of the blackberry-pickers, and their horror and jealousy at their prize's ruin. They "hoard" the blackberries in the way that the "rat-grey fungus... glut[s]" on it. It continues in the petulant tone of an upset child - "It wasn't fair/That all the lovely canfuls smelt of rot" and concludes in a more distant, grave, accepting tone, revealing that even the child knew the berries would not "keep".

The poem is divided into two parts, the first longer, describing the gathering of the blackberries, and their consumption, and the second about half that length, the ruin of the remainder. The line length is much greater than in the later poems, but Heaney makes his customary use of enjambment and an almost prose-like grammatical structure in Blackberry-Picking. Heaney quite often uses rhyme - "clot... knot", and near-rhyme, "sweet... in it", but without making it intrusive.

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Below is a free excerpt of "Blackberry Picking Analysis" from Anti Essays, your source for free research papers, essays, and term paper examples.

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was a baller. He received more honors and awards for his work than we care to count, including the . If poetry writing were an Olympic event, he would have won gold.

A lot of critics and poetry people consider Heaney to be the finest poet since . The comparison makes a lot of sense. Not only is he sometimes similar stylistically to Yeats, but Heaney also seems to have as great an influence on poetry today as Yeats did during his time. We love to compare generations of greats, don't we? is this generation's , is the new , and so on. If Yeats had a great-grandson of poetry, it would have been Heaney.

Heaney was born and raised in Northern Ireland – more specifically, in rural County Derry. He had working-class parents and spent his early years on the family farm (called Mossbawm), where he began his education. By his teen years, Heaney was sent away to boarding school and eventually ended up at Queens University in Belfast, a much bigger, much more metropolitan place than his hometown. After that, he lived and taught all over Northern Ireland and England, as well as in a few U.S. cities.

Not only is Heaney the greatest thing since sliced bread as far as poetry goes, he also wrote tons of prose (a lot of it about poetry), two plays, and a healthy handful of translations. Apparently fourteen major collections of poetry weren't quite enough for the guy! He was a pretty busy bee. We wouldn't be surprised to find that the pen was a permanent extension of his right hand.

Despite his extensive education and having lived in many city-slicker places, Heaney's poetry remains very much rooted in the farm life and imagery of where he grew up. "Blackberry-Picking" is from his first collection, (published in 1966), and is one of many poems in the book that explores simple events and images of the natural world where Heaney first lived. Although the subject matter might be all about the simple, the rural, and the domestic, the themes and ideas that Heaney's poems explore are much grander than that. Sure, "Blackberry-Picking" is about the memory of picking blackberries every summer. But it also examines ideas about life, expectation, disappointment, and many other themes that are just below the surface.

Heaney is a master of showing what's right in front of us in a delightfully clear way while at the same time uncovering the murkier ideas underneath. He is, in that way, very much like a farmer, and when he writes it's as though he's saying to us, "Here is the leafy lettuce. Pay attention to its shape and its greenness, but let me also show you the roots beneath the soil." "Blackberry-Picking" is a lot like that, too. So enjoy the rich descriptions but be on the lookout for what's going on behind the scenes; you'll be surprised by what you discover.